For Vaughn on his 27th Birthday
You gave me a palace in clouds, a JHB skyline dressed in mist and moonlight, dust-storms and thunder showers. You hung me in a room seventeen stories above the agitated hum of the city, taxis congesting the arteries of the streets below. A metropolis hemorrhaging with hooting.
Those afternoons wrapped in sheets and each-other finding a strange peace in the noises of other people’s lives being lived furiously down below, a navigated chaos which from up here seemed worlds away. Calming to hear it and more so for not having to participate in it. Us the fortunate ones, the ones who could observe when we liked… looking down for perspective and up for respite.
We could look down to see the dance of pedestrians and their shadows. A favourite past time of mine, when in the late afternoon light ants became giants with disproportionate limbs straining under the weight of grocery bags. Down to watch men, in the dead of night, pulling towers of refuse: snails with scrap-heaps for backs. Down across the patchwork quilt of street traders, the rubiks cubes of vegetable sellers tables’: red squares of tomatoes, green of kale and yellow of banana.
If you were a building you might resemble this one, towering and unpretentious, magnificent and old world yet re-purposed (and all the more idiosyncratic for it) to suit the needs and requirements of a contemporary African city. I cannot separate you nor my thoughts of you from this flat and what you taught me here. The magic of the space, the kitchen jars with assortments of berries and nuts and teas. The clanking rusted pipes that sung sad subterranean songs whenever I submerged my ears in the bath. The cacophony of the building, orchestrations of decay which punctuated our every routine, whether it was a death defying lift-ride to the ground floor or malfunctioning fire-alarms that kept us up until the early hours. I cannot think of you and not connect these thoughts to the poetry of the space.
Those poor ornamental ducks lodged on your bedroom wall, pinned in perpetual migration, observing daily the flight of ibises into another apocalyptic highveld sunset and wishing with all their might that their wings worked the same. The chipped, frayed, rusted corners of things. A summer storm tossing us out to sea, making an Art-Deco galleon of this high rise. The winds that wreaked havoc on our laundry and deposited our underpants in yards in Soweto. Winds that howled with the collective laments of old white lady ghosts who many eons ago used to take high-tea in the same building and shop at the Anstey’s department store for fur trimmed coats and pheasant feathered hats. The wide-eyed toddlers who gazed up at us in the lift with a mixture of curiosity and terror.
You made me stop running in the city at night. I used to dash from the parking lot to the lobby door. You helped undo the conditioning of a suburban upbringing and a paranoia that only the privileged are privileged enough to indulge in. You did this till I was more at home here than anywhere else in the world and realised I would never feel more engaged and alive and connected to this county and its people as I did when arriving at the corner of Jeppe and Joubert.
So the other evening when I felt angry at having to sit in a sterile Rosebank food-court it was only because all I felt like doing was soaking in a candle-lit bath with you, watching your forehead crumple in deep contemplation, lying as we so often did in an awkward tangle of limbs, the cold steel of the tap pushing into your neck, lying here until our hands wrinkled, the water cooled and the candle flickered out.
I ached for that balcony at the end of the world, a platform that allowed me to imagine and speculate (in equal parts) the pleasures of falling and flight. I felt sad at only having a concrete cast of your hands when not long ago ones of flesh used to omfort the palm of my back.
There are many things I miss and will continue to, even more that I will come to understand and celebrate. These are just some but certainly not all